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Seated Antonio Canova with his arm aourn the Phidian Herma of Jupiter, 1818-22 (marble)

Seated Antonio Canova with his arm aourn the Phidian Herma of Jupiter, 1818-22 (marble)


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Seated Antonio Canova with his arm aourn the Phidian Herma of Jupiter, 1818-22 (marble)

6343136 Seated Antonio Canova with his arm aourn the Phidian Herma of Jupiter, 1818-22 (marble) by Ceccarini, Giovanni (1790-1861); Palazzo Comunale, Frascati, Italy; (add.info.: Antonio Canova sedente in atto di abbracciare l erma fidiaca di Giove, 1817-20, di Giovanni Ceccarini (1790 - 1861), marmo.); Ghigo Roli

Media ID 25151502

© Ghigo Roli / Bridgeman Images

Antonio Canova Arte Bellezza Virile Divinita Giove Jupiter L Ottocento Lottocento Male Beauty Marmo Mitología Neoclassicism Neoclassicismo Olimpo Olympus Phidias Ritratto Scultura Statua The 19th Century Uomo Virility Xix Secolo Zeus Divinity Fidia Herma


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EDITORS COMMENTS
This photograph captures the timeless beauty of "Seated Antonio Canova with his arm around the Phidian Herma of Jupiter". Created by Italian artist Giovanni Ceccarini in 1818-22, this marble masterpiece is housed in the Palazzo Comunale in Frascati, Italy. The image showcases Antonio Canova, a renowned sculptor himself, seated gracefully with his arm lovingly wrapped around the ancient Phidian Herma of Jupiter. The sculpture depicts a moment frozen in time, as if Canova himself is engaging in an intimate conversation with the divine. Ceccarini's attention to detail and mastery of marble are evident in every curve and contour. The composition exudes a sense of power and masculinity, emphasizing both Canova's own artistic prowess and the grandeur of classical mythology. The juxtaposition between Canova's serene expression and the strength emanating from Jupiter's herma creates a striking visual contrast. It serves as a reminder that even great artists find inspiration from their predecessors' works. Through this photograph, Ghigo Roli skillfully captures not only the physical beauty but also the emotional depth conveyed by Ceccarini's sculpture. This artwork transports viewers back to an era where neoclassicism reigned supreme and mythological figures were revered as gods among men.

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